what crazy looks like on a good day

they'll sharpen their teeth on your smile

1,828 notes

SUBMISSION: The Problem with PR (I’m Looking at You, #TeenWolf)

teenwolfgossip:

here’s the copy of the article that was taken down:

(it’s long so maybe you should add a read more somewhere)

The Problem with PR (I’m Looking at You, #TeenWolf)

PR is extremely important for just about everything you could imagine. TV shows especially rely a lot on PR because without it, they don’t do well. However, you are oftentimes faced with a PR team that either truly knows very little about its own product or they focus on one thing to the exlusion of all others and make you wonder if you’re watching a totally different show. I think the idea that “any press is good press” should be retired indefinitely, because after experiencing the horror that is Teen Wolf‘s PR, I’d have to emphatically disagree with the sentiment.

Teen Wolf, now in its fourth season (fifth, technically, since I maintain that 3A and 3B are TWO SEPARATE SEASONS because THEY ARE), has inexplicably abandoned tact and good sense and has meandered into a steaming pit of “what the hell”. It’s been a slow decline — as the show increases in popularity and therefore gets more publicity, the press gets worse and worse.

Read More

Filed under teen wolf

456,509 notes

flameraven:

andythanfiction:

liquid-pickle:

baw-bee:

sophieonpage:

thegoddamazon:

I present the most badass gifset on Tumblr.

Legitimately turned on by this

This is the best thing.

Oh my god

I don’t even know this fandom and this is cool.

Reason #999 why the cartoon will always be ONE MILLION PERCENT better than that travesty of a movie. They did so much research and put so much detail in you don’t even notice.

Bonus trivia: Toph got a unique martial arts style to match her distinct version of Earthbending (Southern Praying Mantis style, I think) which the creators found out later was (according to legend) invented by a blind woman. Totally a coincidence, but still so fucking cool.

(If you don’t watch the show, Toph is both blind from birth and the best damn Earthbender in the world. Also, GO WATCH THE SHOW.)

(Source: ashagreyjoyed, via sophielostandfound)

Filed under for my kid who follows me on tumblr. Yes it's weird. No we don't talk about it.

35,449 notes

spoken-not-written:

redeemed-from-the-earth:

whatisthecat:

#SaveInTheFlesh!

Series One

Episode One: Stream | Torrent
Episode Two: Stream | Torrent
Episode Three: Stream | Torrent

Series Two

Episode One: BBC iPlayer | Stream | Torrent
Episode Two: BBC iPlayer | Stream | Torrent
Episode Three: BBC iPlayer | Stream | Torrent
Episode Four: BBC iPlayer | Stream | Torrent
Episode Five: BBC iPlayer | Stream | Torrent
Episode Six: BBC iPlayer | Stream | Torrent

[SOURCE OF THE LINKS]

- HERE you cand download the extension Hola to watch the BBC iPlayer outside the UK

- Here’s the unofficial official page of Facebook for the show fans

Signal boost this!

Look at the notes, people! This post clearly works. Spread the word! As far as we’re aware, people who don’t like In The Flesh are just people who haven’t seen it yet, so don’t deprive them any longer :)

GUYS PLEASE THIS SHOW IS AMAZING

(via hannahisawolf)

51,337 notes

thewritingcafe:

BASICS:

Genres:
Alternate World: A setting that is not our world, but may be similar. This includes “portal fantasies” in which characters find an alternative world through their own. An example would be The Chronicles of Narnia.
Arabian: Fantasy that is based on the Middle East and North Africa.
Arthurian: Set in Camelot and deals with Arthurian mythology and legends.
Bangsian: Set in the afterlife or deals heavily with the afterlife. It most often deals with famous and historical people as characters. An example could be The Lovely Bones.
Celtic: Fantasy that is based on the Celtic people, most often the Irish.
Christian: This genre has Christian themes and elements.
Classical: Based on Roman and Greek myths.
Contemporary: This genre takes place in modern society in which paranormal and magical creatures live among us. An example would be the Harry Potter series.
Dark: This genre combines fantasy and horror elements. The tone or feel of dark fantasy is often gloomy, bleak, and gothic.
Epic: This genre is long and, as the name says, epic. Epic is similar to high fantasy, but has more importance, meaning, or depth. Epic fantasy is most often in a medieval setting.
Gaslamp: Also known as gaslight, this genre has a Victorian or Edwardian setting.
Gunpowder: Gunpowder crosses epic or high fantasy with “rifles and railroads”, but the technology remains realistic unlike the similar genre of steampunk.
Heroic: Centers on one or more heroes who start out as humble, unlikely heroes thrown into a plot that challenges them.
High: This is considered the “classic” fantasy genre. High fantasy contains the general fantasy elements and is set in a fictional world.
Historical: The setting in this genre is any time period within our world that has fantasy elements added.
Medieval: Set between ancient times and the industrial era. Often set in Europe and involves knights. (medieval references)
Mythic: Fantasy involving or based on myths, folklore, and fairy tales.
Portal: Involves a portal, doorway, or other entryway that leads the protagonist from the “normal world” to the “magical world”.
Quest: As the name suggests, the protagonist in this genre sets out on a quest. The protagonist most frequently searches for an object of importance and returns home with it.
Sword and Sorcery: Pseudomedieval settings in which the characters use swords and engage in action-packed plots. Magic is also an element, as is romance.
Urban: Has a modern or urban setting in which magic and paranormal creatures exist, often in secret.
Wuxia: A genre in which the protagonist learns a martial art and follows a code. This genre is popular in Chinese speaking areas.
Word Counts:
Word counts for fantasy are longer than other genres because of the need for world building. Even in fantasy that takes place in our world, there is a need for the introduction of the fantasy aspect.
Word counts for established authors with a fan base can run higher because publishers are willing to take a higher chance on those authors. First-time authors (who have little to no fan base) will most likely not publish a longer book through traditional publishing. Established authors may also have better luck with publishing a novel far shorter than that genre’s expected or desired word count, though first-time authors may achieve this as well.
A general rule of thumb for first-time authors is to stay under 100k and probably under 110k for fantasy.
Other exceptions to word count guidelines would be for short fiction (novellas, novelettes, short stories, etc.) and that one great author who shows up every few years with a perfect 200k manuscript.
But why are there word count guidelines? For young readers, it’s pretty obvious why books should be shorter. For other age groups, it comes down to the editor’s preference, shelf space in book stores, and the cost of publishing a book. The bigger the book, the more expensive it is to publish.
General Fantasy: 75k - 110k
Epic Fantasy: 90k - 120k
Contemporary Fantasy: 90k - 120k
Urban Fantasy: 80k - 100k
Middle Grade: 45k - 70k
YA: 75k - 120k (depending on sub-genre)
Adult: 80k - 120k (depending on sub-genre)

WORLD BUILDING:

A pseudo-European medieval setting is fine, but it’s overdone. And it’s always full of white men and white women in disguise as white men because around 85% (ignore my guess/exaggeration, I only put it there for emphasis) of fantasy writers seem to have trouble letting go of patriarchal societies. 
Guys. It’s fantasy. You can do whatever you want. You can write a fantasy that takes place in a jungle. Or in a desert. Or in a prairie. The people can be extremely diverse in one region and less diverse in another. The cultures should differ. Different voices should be heard. Queer people exist. People of color exist. Not everyone has two arms or two legs or the ability to hear.
As for the fantasy elements, you also make up the rules. Don’t go searching around about how a certain magic spell is done, just make it up. Magic can be whatever color you want. It can be no color at all. You can use as much or as little magic as you want.
Keep track of what you put into your world and stick to the rules. There should be limits, laws, cultures, climates, disputes, and everything else that exists in our world. However, you don’t have to go over every subject when writing your story.
World Building:
Fantasy World Building Questionnaire
Magical World Builder’s Guide
Creating Fantasy and Science Fiction Worlds
Creating Religions
Quick and Dirty World Building
World Building Links
Fantasy World Building Questions
The Seed of Government (2)
Guide to Science Fiction and Fantasy
Fantasy Worlds and Race
Water Geography
Alternate Medieval Fantasy Story
Writing Magic
Types of Magic
When Magic Goes Wrong
Magic-Like Psychic Abilities
Science and Magic
Creative Uses of Magic
Thoughts on Creating Magic Systems
Defining the Sources, Effects, and Costs of Magic
World Building Basics
Mythology Master Post
Fantasy Religions
Setting the Fantastic in the Everyday World
Making Histories
Matching Your Money to Your World
Building a Better Beast
A Man in Beast’s Clothing
Creating and Using Fictional Languages
Creating a Language
Creating Fictional Holidays
Creating Holidays
Weather and World Building 101
Describing Fantastic Creatures
Medieval Technology
Music For Your Fantasy World
A heterogeneous World
Articles on World Building
Cliches:
Grand List of Fantasy Cliches (most of this can be debated)
Fantasy Cliches Discussion
Ten Fantasy Cliches That Should Be Put to Rest
Seven Fantasy Cliches That Need to Disappear
Avoiding Fantasy Cliches 101
Avoiding Fantasy Cliches
Fantasy Cliches
Fantasy Cliche Meter: The Bad Guys
Fantasy Novelist’s Exam
Mary Sue Race Test
Note: Species (like elves and dwarves) are not cliches. The way they are executed are cliches.

CHARACTERS
Read More

thewritingcafe:

BASICS:

Genres:

  • Alternate World: A setting that is not our world, but may be similar. This includes “portal fantasies” in which characters find an alternative world through their own. An example would be The Chronicles of Narnia.
  • Arabian: Fantasy that is based on the Middle East and North Africa.
  • Arthurian: Set in Camelot and deals with Arthurian mythology and legends.
  • Bangsian: Set in the afterlife or deals heavily with the afterlife. It most often deals with famous and historical people as characters. An example could be The Lovely Bones.
  • Celtic: Fantasy that is based on the Celtic people, most often the Irish.
  • Christian: This genre has Christian themes and elements.
  • Classical: Based on Roman and Greek myths.
  • Contemporary: This genre takes place in modern society in which paranormal and magical creatures live among us. An example would be the Harry Potter series.
  • Dark: This genre combines fantasy and horror elements. The tone or feel of dark fantasy is often gloomy, bleak, and gothic.
  • Epic: This genre is long and, as the name says, epic. Epic is similar to high fantasy, but has more importance, meaning, or depth. Epic fantasy is most often in a medieval setting.
  • Gaslamp: Also known as gaslight, this genre has a Victorian or Edwardian setting.
  • Gunpowder: Gunpowder crosses epic or high fantasy with “rifles and railroads”, but the technology remains realistic unlike the similar genre of steampunk.
  • Heroic: Centers on one or more heroes who start out as humble, unlikely heroes thrown into a plot that challenges them.
  • High: This is considered the “classic” fantasy genre. High fantasy contains the general fantasy elements and is set in a fictional world.
  • Historical: The setting in this genre is any time period within our world that has fantasy elements added.
  • Medieval: Set between ancient times and the industrial era. Often set in Europe and involves knights. (medieval references)
  • Mythic: Fantasy involving or based on myths, folklore, and fairy tales.
  • Portal: Involves a portal, doorway, or other entryway that leads the protagonist from the “normal world” to the “magical world”.
  • Quest: As the name suggests, the protagonist in this genre sets out on a quest. The protagonist most frequently searches for an object of importance and returns home with it.
  • Sword and Sorcery: Pseudomedieval settings in which the characters use swords and engage in action-packed plots. Magic is also an element, as is romance.
  • Urban: Has a modern or urban setting in which magic and paranormal creatures exist, often in secret.
  • Wuxia: A genre in which the protagonist learns a martial art and follows a code. This genre is popular in Chinese speaking areas.

Word Counts:

Word counts for fantasy are longer than other genres because of the need for world building. Even in fantasy that takes place in our world, there is a need for the introduction of the fantasy aspect.

Word counts for established authors with a fan base can run higher because publishers are willing to take a higher chance on those authors. First-time authors (who have little to no fan base) will most likely not publish a longer book through traditional publishing. Established authors may also have better luck with publishing a novel far shorter than that genre’s expected or desired word count, though first-time authors may achieve this as well.

A general rule of thumb for first-time authors is to stay under 100k and probably under 110k for fantasy.

Other exceptions to word count guidelines would be for short fiction (novellas, novelettes, short stories, etc.) and that one great author who shows up every few years with a perfect 200k manuscript.

But why are there word count guidelines? For young readers, it’s pretty obvious why books should be shorter. For other age groups, it comes down to the editor’s preference, shelf space in book stores, and the cost of publishing a book. The bigger the book, the more expensive it is to publish.

  • General Fantasy: 75k - 110k
  • Epic Fantasy: 90k - 120k
  • Contemporary Fantasy: 90k - 120k
  • Urban Fantasy: 80k - 100k
  • Middle Grade: 45k - 70k
  • YA: 75k - 120k (depending on sub-genre)
  • Adult: 80k - 120k (depending on sub-genre)

WORLD BUILDING:

A pseudo-European medieval setting is fine, but it’s overdone. And it’s always full of white men and white women in disguise as white men because around 85% (ignore my guess/exaggeration, I only put it there for emphasis) of fantasy writers seem to have trouble letting go of patriarchal societies. 

Guys. It’s fantasy. You can do whatever you want. You can write a fantasy that takes place in a jungle. Or in a desert. Or in a prairie. The people can be extremely diverse in one region and less diverse in another. The cultures should differ. Different voices should be heard. Queer people exist. People of color exist. Not everyone has two arms or two legs or the ability to hear.

As for the fantasy elements, you also make up the rules. Don’t go searching around about how a certain magic spell is done, just make it up. Magic can be whatever color you want. It can be no color at all. You can use as much or as little magic as you want.

Keep track of what you put into your world and stick to the rules. There should be limits, laws, cultures, climates, disputes, and everything else that exists in our world. However, you don’t have to go over every subject when writing your story.

World Building:

Cliches:

Note: Species (like elves and dwarves) are not cliches. The way they are executed are cliches.

CHARACTERS

Read More

(via sophielostandfound)

Filed under writing

13,490 notes

happysterekthoughts:


I hope you don’t mind that I ficced all over your art. O.O

"Are you fucking kidding me right now Derek?” Stiles yells, voice reaching the point where it starts to go pitchy. The tension is high and thick and buzzing in the air, accumulated from the past half hour of fighting with only their words for weapons. 
Which between them is much sharper than tooth or claw anyway. 
"There was something off about him,” Derek tells him resolutely, arms crossed firmly over his chest. He’s a bit louder than usual, but he’s nowhere near as animated in his anger as Stiles. Not that that’s a difficult feat. “I don’t know what you want me to say.”
Stiles lets out a wordless little screech, so frustrated that he’s having trouble forming actual syllables instead of angry, animal sounds. “Dude, I want you to apologize! He was the first fucking normal person I’ve met since I was sixteen years old! And you just—you pissed all over it!” 
"You want normal Stiles? The door is right fucking there," Derek replies, jaw clenched and hand gesturing to the loft’s exit. "No one is forcing you to be here. No one has ever forced you to be here.” 
Stiles goes still at the words. His whole body seems to relax, even the little tick in his jaw. He stares hard at Derek’s face, eyes flicking from left to right as he examines him. Picks him apart. Takes him in.
A humorless laugh falls from his slack mouth. “You’re a fucking idiot,” he says finally, turning with a shake of his head and slamming the door behind him. 
Derek feels the fight leave his body in a rush, like a dam finally crumbling under the weight of rough and angry waters. He scrubs a hand down his face.
He hadn’t meant to ruin Stiles’ date. He’s just so…stupidly in love with the kid. And the jealousy went howling viciously through his veins and clouded his head like thick, hot smoke and he’d just—
The pitter-patter of gentle rain against his window suddenly becomes a roar as the sky cracks open and pours down on the city. 
And Stiles doesn’t have his Jeep with him. 
Derek follows the path the boy took out of the building, takes the steps two at a time to gain a little time, plunges into the cold rain like ripping off a band aid. A little ways in front of him, Stiles’ red over shirt, obscured a little by the downpour, is trudging forward. 
"Stiles!" Derek yells over water pelting the pavement with a sound like displaced static. "Stiles!"
"What?!" Stiles snaps, body whipping around to face him. "What do want Derek?!"
They’re standing so much closer than they had been, emotions crackling like electricity between them. “I don’t—”
"I can’t keep doing this,” Stiles cuts him off, motioning wildly to the space between them. 
"What’s ‘this’?" he asks, voice soft and even against Stiles’ rough and warbling. 
"This thing where I’m…completely in love with you and you refuse to let me move on!”
Derek’s caught a little breathless, eyes focusing on the slick pink of Stiles’s lips, on the droplets that pool in his philtrum, collecting in the bow of his upper lip. 
"You want to move on?" 
"Of course I do Derek! This unrequited thing is bullshit!”
"I love you too."
"It’s not cute! It hurts and it just keeps hurting no matter how m—"
But Derek drinks the rest of his words right out of Stiles’ mouth, lips colliding with his and arms snaking around his waist like he’s trying to meld them into one being. 
Stiles tries to finish his sentence at first, words muffled and unintelligible, before his body catches up with Derek’s. He pulls back just enough to get his arms up and around Derek’s neck, suddenly returning the kiss with hard ferocity. Devouring it. Swallowing it down. His body is cold and wet but Derek’s mouths is hot, and his hand is curled in the fabric at Derek’s shoulder, and the werewolf’s tongue is fucking Stiles’ mouth, and his hand comes up from the boys back to cradle the base of his skull, and it’s…it’s not perfect. 
But somehow it is. 
Between kisses, Stiles tells Derek, “I don’t want normal.”
And Derek replies, “I don’t want anybody but you.”

happysterekthoughts:

I hope you don’t mind that I ficced all over your art. O.O

"Are you fucking kidding me right now Derek?” Stiles yells, voice reaching the point where it starts to go pitchy. The tension is high and thick and buzzing in the air, accumulated from the past half hour of fighting with only their words for weapons. 

Which between them is much sharper than tooth or claw anyway. 

"There was something off about him,” Derek tells him resolutely, arms crossed firmly over his chest. He’s a bit louder than usual, but he’s nowhere near as animated in his anger as Stiles. Not that that’s a difficult feat. “I don’t know what you want me to say.”

Stiles lets out a wordless little screech, so frustrated that he’s having trouble forming actual syllables instead of angry, animal sounds. “Dude, I want you to apologize! He was the first fucking normal person I’ve met since I was sixteen years old! And you just—you pissed all over it!” 

"You want normal Stiles? The door is right fucking there," Derek replies, jaw clenched and hand gesturing to the loft’s exit. "No one is forcing you to be here. No one has ever forced you to be here.” 

Stiles goes still at the words. His whole body seems to relax, even the little tick in his jaw. He stares hard at Derek’s face, eyes flicking from left to right as he examines him. Picks him apart. Takes him in.

A humorless laugh falls from his slack mouth. “You’re a fucking idiot,” he says finally, turning with a shake of his head and slamming the door behind him. 

Derek feels the fight leave his body in a rush, like a dam finally crumbling under the weight of rough and angry waters. He scrubs a hand down his face.

He hadn’t meant to ruin Stiles’ date. He’s just so…stupidly in love with the kid. And the jealousy went howling viciously through his veins and clouded his head like thick, hot smoke and he’d just—

The pitter-patter of gentle rain against his window suddenly becomes a roar as the sky cracks open and pours down on the city. 

And Stiles doesn’t have his Jeep with him. 

Derek follows the path the boy took out of the building, takes the steps two at a time to gain a little time, plunges into the cold rain like ripping off a band aid. A little ways in front of him, Stiles’ red over shirt, obscured a little by the downpour, is trudging forward. 

"Stiles!" Derek yells over water pelting the pavement with a sound like displaced static. "Stiles!"

"What?!" Stiles snaps, body whipping around to face him. "What do want Derek?!"

They’re standing so much closer than they had been, emotions crackling like electricity between them. “I don’t—”

"I can’t keep doing this,” Stiles cuts him off, motioning wildly to the space between them. 

"What’s ‘this’?" he asks, voice soft and even against Stiles’ rough and warbling. 

"This thing where I’m…completely in love with you and you refuse to let me move on!”

Derek’s caught a little breathless, eyes focusing on the slick pink of Stiles’s lips, on the droplets that pool in his philtrum, collecting in the bow of his upper lip. 

"You want to move on?" 

"Of course I do Derek! This unrequited thing is bullshit!”

"I love you too."

"It’s not cute! It hurts and it just keeps hurting no matter how m—"

But Derek drinks the rest of his words right out of Stiles’ mouth, lips colliding with his and arms snaking around his waist like he’s trying to meld them into one being. 

Stiles tries to finish his sentence at first, words muffled and unintelligible, before his body catches up with Derek’s. He pulls back just enough to get his arms up and around Derek’s neck, suddenly returning the kiss with hard ferocity. Devouring it. Swallowing it down. His body is cold and wet but Derek’s mouths is hot, and his hand is curled in the fabric at Derek’s shoulder, and the werewolf’s tongue is fucking Stiles’ mouth, and his hand comes up from the boys back to cradle the base of his skull, and it’s…it’s not perfect. 

But somehow it is. 

Between kisses, Stiles tells Derek, “I don’t want normal.”

And Derek replies, “I don’t want anybody but you.”

(Source: streamgiraph, via eeames)

Filed under i ♥ these two mofos so much you adorable little shits i have never shipped as hard as i ship these two